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Milton A. Rothman

Harry Warner, Jr.

William Rotsler Graphic #6Milton A. Rothman was almost right when he wrote more than a half-century ago about himself: "Milty will some day be a mad scientist." If he had obeyed the literary rule of thumb involving adjective amputations, he would have been a better prophet about his future than I would have been.

William Rotsler Graphic #7I thought Milt might become a world-class pianist. I ventured the opinion one day while he was visiting me that Chopin's music was sort of wishy-washy. He dashed to my piano and erupted into a tremendous performance of the Revolutionary Etude to prove I was wrong.

William Rotsler Graphic #8Or, I thought, Milt might become a nationally known writer. He sold fiction to Astounding Stories. For a half-dozen years during the 1940s, he published his fanzine, Milty's Mag, in which his prose was infinitely superior to the humble average characteristic of fan writing at that time.

William Rotsler Graphic #9I could also imagine him in a role of raconteur and commentator, something like Clifton Fadiman or Alexander Woollcott. He was fluent in conversation, had at least some knowledge of every imaginable topic, and awed me with his barrage of logic in extempore situations.

William Rotsler Graphic #10But he was right about a career in science. In fact, when I happened to find a copy of one of his books on scientific matters at Goodwill Industries several years ago, I thought about how far he had gone in the career he chose after he left most of his fannish pursuits behind.

In one issue of Milty's Mag, he described himself this way: "A romantic, trying to act like a cold-blooded scientist." Once again, he should have jettisoned the adjective to attain precise prophecy.

William Rotsler Graphic #11In the early years of fandom, Milt Rothman pioneered in many respects. He practically invented Philadelphia fandom by heading the city's chapter of the Science Fiction League, soon metamorphosed into the Philadelphia Science Fiction Society. He was a prime mover in the change of the Fantasy Amateur Press Association from a boring imitation of mundane amateur press groups into an exchange of thoughtful discussions of serious matters. He was also one of the first fans to pour out his soul onto mimeographed fanzine pages, revealing more about his hopes and thoughts than had been customary in fanzines published during the 1930s. Very few fans obtained a college degree in those early years, but Milt had three of the things by the end of the 1940s.

I admire the erudition he has possessed and shared during the past four decades. I can only wish he could have somehow found time to bestow some of it on fandom throughout the second half of this century.


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